Editorial Review - Posing for Rodin (4 0f 5 STAR)

 “Posing for Rodin” by C.S. McGrail is a quietly powerful collection that blurs the line between poetry and reflection. Rather than following a single narrative, the book unfolds through a series of standalone pieces—each one offering a glimpse into the author’s observations on life, emotions, and the human experience.
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What makes this collection stand out is its simplicity. McGrail doesn’t rely on ornate language or complex metaphors to make an impact. Instead, the writing feels raw, direct, and deeply relatable. Some pieces read like fleeting thoughts you’ve had but never articulated; others feel like gentle nudges to pause and reflect.
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There’s a delicate balance between lightness and heaviness throughout the book. At times, the author finds humor in the mundane and the absurdity of everyday life. But just as naturally, the tone shifts into something more somber—reminding us that not everything is meant to be understood or laughed away. This emotional contrast is where the collection truly shines.
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Not every piece will resonate equally—and that’s part of its charm. Overall, “Posing for Rodin” is less about storytelling and more about feeling. It’s for readers who enjoy introspection, poetic musings, and those quiet moments of connection with words. A contemplative, easy-to-digest yet thought-provoking collection that stays with you long after you’ve turned the last page. 

                                                                        -BOOKISH_PRATIBHA

"In The Sycamore Centennial Parade, Charles McGrail spins a nostalgic, often hilarious yarn about a trio of quirky small-town characters—Babylon “Milkman” Hurley, his brother-in-law Clark “Poodle” Canderankle, and the indomitable Jericho—who bumble their way into promoting their town’s centennial celebration. Set in 1978, Sycamore, the story draws from everyday absurdity to craft a heartwarming comedy of errors, rich with banter, unlikely schemes, and quiet reflections on identity, family, and small-town life. As Jericho rallies her lovable but unreliable crew to canvas local businesses for parade support, what unfolds is less a professional campaign and more a slow-moving circus, complete with tie mishaps, dietary debates, and diner drama.

I loved the writing style. It’s alive with personality. McGrail’s voice crackles with humor, clever turns of phrase, and old-school charm. The dialogue sings—snappy, smart, and so natural you forget you’re reading. His characters? They’re ridiculous in the best way. Lovable screw-ups with big hearts and bigger mouths. And while the plot hums at a leisurely pace, I never found myself bored. Every scene feels like a short sitcom episode—tight, colorful, and just a little chaotic. The author doesn’t chase big drama. He trusts in the small stuff: banter, nostalgia, clashing egos, and the slow burn of friendships tested and reaffirmed. It’s low-stakes storytelling with high emotional payoff.

The story is long, and sometimes the jokes stretch a beat too far or the scenes linger past their welcome. But oddly, I didn’t mind much. The indulgence feels earned. McGrail clearly adores his characters—especially Milk and Poodle—and that affection is infectious. Beneath all the antics is a surprisingly tender meditation on second chances and reinvention. These aren’t just goofballs; they’re men pushed out of their old lives and forced to find new ways to matter. Jericho, too, shines as the competent, quietly frustrated linchpin who holds it all together. If you’ve ever juggled family and ambition, you’ll see yourself in her.

The Sycamore Centennial Parade is a warm and entertaining love letter to community, misfits, and starting over. It’s a small-town tale with a big, goofy heart. I’d recommend it to fans of Richard Russo or Fannie Flagg, or anyone who loves a character-driven story with quick wit and genuine soul."

                                                                                                 - Literary Titan